Black Christmas


by Johnny Web (Uncle Scoopy; Greg Wroblewski)

Black Christmas is a remake of a 1974 film which is considered the grandfather of the slasher genre, but which I have never seen. I suppose that's just as well, since most critics who have seen the original panned this as a pale and unnecessary copy.

Several sorority sisters are still stuck in their house over the Christmas holidays. They have gathered for their cheerless Christmas party. Meanwhile, a convicted spree killer has escaped from the institution for the criminally insane. I'll bet you'll never guess what eventually became of his childhood home, the house where he killed his family so many years ago.

There's nothing wrong with the film by genre standards. It is technically proficient, well paced, and includes plenty of macabre humor.  I laughed out loud at one scene. A warden is feeding the dangerous criminals in the insanity ward. As he goes down the row of cells, he drones "Merry Christmas ... Merry Christmas ... " in a bored voice as he shoves the food through each pass-through - until he comes to one cell where he says "Happy Birthday" instead. The camera peers through the pass-through window and reveals a prisoner who thinks he is Jesus.

Actually, there were quite a few clever little surprises like that in the film (Christmas cookies made with human flesh shaped by cookie-cutters, anyone?), but the story was weighted down with one big problem. Although I had never seen this movie or the original version before, I felt as if I had. Insane guy escaping. Killing off young girls one by one. Bizarre family secrets. Threatening phone calls with cryptic messages. Cardboard, stereotypical victims. Making a film from this clay requires complete originality and creativity in the execution. While the creator of this film (writer/director Glen Morgan) showed some Úlan, it was just not enough to get me through the feeling of "why exactly am I watching this same old stuff again?"

I think that the good touches here and there make it a marginally watchable film for gorehounds, but critics were less impressed than I was, and most of them were unable to find much merit in the film.

Our Grade:

If you are not familiar with our grading system, you need to read the explanation, because the grading is not linear. For example, by our definition, a C is solid and a C+ is a VERY good movie. There are very few Bs and As. Based on our descriptive system, this film is a:


If you are not a gorehound, stay away. Even if you like this sort of thing, it's competent, but so tired that it's barely watchable. 


* widescreen anamorphic

* alternate endings

* deleted scenes

* Two featurettes:

   "a filmmaker's journey"

   "the remaking of"


20 British Consensus  (of 100)
17% Rotten Tomatoes  (% positive)
22 (of 100)


4.3 IMDB summary (of 10)


Box Office Mojo. It grossed about $16 million.


  • Karin Konoval shows her breasts in a sex scene shot far from an overhead camera.
  • Crystal Lowe shows the top 3/4 of her bum and the side of one breast in a shower scene.