Bread and Roses (2000) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Not every zero budget independent film has to be about vampires or cops. |
This one has a real social conscience. In U.S. cities with a major immigrant community, like Los Angeles, there are individuals and companies who exploit the illegal immigrants. The companies pay them minimum wage with no benefits of any kind, and some of the company officials take additional kickbacks or sexual favors for allowing the immigrants to continue working. The immigrants are trapped by a feeling of powerlessness. How do you organize when you aren't supposed to have a job in the first place, maybe shouldn't even be in the country. This film is about that dilemma. |
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It was made by the venerable Ken Loach, the British socialist whose activist films have been challenging the conscience of the free world for about four decades. One of his films is said to have caused a change in the British laws regarding the homeless. Loach is 65 now, and still going strong. |
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This film is rated an impressive 7.1
at IMDb, got two thumbs 'way up' from Ebert and Roeper, and was
nominated for the Golden Palm at Cannes. Those are really votes for
the message, not the execution, and are ignoring the fact that the
film itself just isn't that good.
It has a good message, but delivers it with a ham fist. I agreed with the message right from the start, which then required me to seek entertainment from the plot and characters, a quest which I found disappointing. It's filled with speeches and meetings and protest songs and obvious moralizing. I hit the fast forward early and often, during all the places when the plot stalled for speechifyin' and singin'. This is OK, I found it touching in spots, but if you want to see a good movie on this subject, watch Bound for Glory again, which has workers who are even more downtrodden, and much better songs. |
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