Buying the Cow (2002) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Buying the Cow is a tidy little relationship comedy about a doofus in search of his soul-mate. |
It seems that when our hero was about 19, he met his dream girl at an airport in the Caribbean. She wrote to him, he wrote back, and it turned out later that she was only 11 years old. Despite that scandal, he's never been able to free himself from the memory of seeing her and feeling overwhelmed by a mystical sense that she was the girl for him. Since his current relationship has never given him that same sense of magic, he feels a vague longing to wander. As time goes on, he determines that he doesn't really want to wander, but rather wants to find a true soul-mate. |
|
The plot thickens when his best friend becomes engaged to - you guessed it - the 11 year old from the airport, now quite filled out. She doesn't recognize our hero, but in the course of a dinner she reveals her side of the airport story, in which she portrays herself as a traumatized 11 year old who was being assaulted by some old doofus. Why then did she write back? She didn't. She threw away the address card, but her 9 year old sister retrieved it from the trash and started the correspondence, because she thought the airport stranger was romantic and cute. What does this mean? Perhaps the nine year old, also now filled out appropriately, is really his soul-mate. |
|||||
|
The film is not a classic, but it has enough heart, enough laughs, and a clever enough plot structure to provide 90 minutes of light entertainment. The cast is a solid list of comic performers in their late twenties and early thirties, led by Ron Livingston of Office Space, Jerry O'Connell of Body Shots, and Ryan Reynolds of Van Wilder. It isn't consistently good, but the film was redeemed for me by two great comic turns: from Reynolds as a compulsive womanizer who now thinks he may be gay, and Alyssa Milano as a sarcastic stripper. |
||||
|
Return to the Movie House home page