Casualties of War (1989) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Although this Vietnam film was directed by Brian De Palma, I didn't remember a damned thing about it, so I decided to have a look. |
It's not exactly a cheery feel-good movie for the commercial audience, but it packs a helluva powerful emotional punch. Unlike most De Palma movies, which are made for entertainment, this is a serious film about a serious topic, and is based on a real incident. |
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Michael J Fox plays
a wide-eyed innocent in 'nam. Early in the film his life is saved by
his brave, savage sergeant, played by Sean Penn. But the sergeant and
his platoon are becoming changed by the savagery of war and the
uncertainty of the enemy. Penn, in particular, is starting to feel
that genocide is the only way to deal with the Vietnamese, after
watching his friends blown up by innocent-looking village children and
similar incidents. One night, Penn is on his way into town to get a
prostitute, when he finds out that the town is closed because of
Vietcong action. Enraged by what he believes is simply the 'Cong
beating him to the bordello, he kidnaps a local girl from her bed, and
drags her along on the next day's forced march. At the end of the day,
he and the other platoon members rape her and eventually kill
her. Michael J. Fox does not play along, tries to help the girl escape, and eventually turns the other guys in for a court martial and eventual jail sentences. Various superiors in the chain of command advise Fox to shut up, and even offer to transfer him out of 'Nam, but he tells the truth and pursues what he believes is justice. The rape is not really shown explicitly on camera, but the girl's screams and cries are horrifying. Fox's attempt to be kind to her in between the rape and the murder are genuinely touching. The acting, in general, is quite good, especially Penn and the girl. |
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De Palma attempted a different approach to the Vietnam pictorialization. Other filmmakers have pictured it as claustrophobic and always terrifying, with danger lurking in every tree, and from every child in every village. It is often pictured as overcast, muddy, and rainy. Typically we see men who are afraid to wander fifty feet from their base camp. This film has a completely different approach. It pictures Vietnam as open, sunny, cheery and tropical, painted in pastels - Florida with an Asian accent. The platoon of five men goes on 20 mile hikes in open country, isolated from other forces, without seeming to fear anything in the countryside. Fox lets the local kids try on his helmet, and starts to eat some food they offer him. The platoon seemed like high school kids walking home from school, which ten years earlier or later is exactly what they would have been. The country seems beautiful except for the fighting. The inherent beauty of the countryside is contrasted with the badly mangled and bloody bodies which dot the countryside after every skirmish. If you based your mental picture of the war on this film, you'd think it was a beautiful country except for the Americans. There is some truth to that, but it surely is not the whole truth, and the subject requires a richer, more nuanced approach. |
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