Olivier Martinez plays Horty, a foundry
worker in France, who wins his company's version of the triathlon, and,
as a prize, is given a trip to see the sailing of the Titanic, including
a hotel room for the night. He is approached by Marie (Aitana
Sánchez-Gijón), who explains that she has a job as chambermaid on the
Titanic, but can't board until the next day, and needs a room. He agrees
to let her stay in his, and the two spend a chaste night together. He
buys a photo of her from a dock-side photographer, and returns home to
rumors that his wife is having an affair with the factory owner. He goes
to the local bar, shows the picture, and begins relating a fantasy about
what he did with Marie. The story improves each night, gathering a
larger crowd with each retelling. |
not available in
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He is eventually approached by the owner of a traveling
theatrical troupe, who offers him big money to tell his story on
stage, because anything to do with the Titanic is big box office.
Unfortunately, the film doesn't contain the explicit nudity and sex we
usually see from Luna. I am not exactly impartial when it comes to
nudity and sex in film, but the restraint praised by many critics
didn't thrill me. I would have preferred a more typical Bigas Luna
approach in a story that clearly called for more nudity. |
The
Critics Vote
|
The People
Vote ...
- with their dollars: It enjoyed a minor
theatrical release in the US, with a gross of $244K
|
IMDb
guideline: 7.5 usually indicates a level of
excellence, about like three and a half stars
from the critics. 6.0 usually indicates lukewarm
watchability, about like two and a half stars
from the critics. The fives are generally not
worthwhile unless they are really your kind of
material, about like two stars from the critics.
Films under five are generally awful even if you
like that kind of film, equivalent to about one
and a half stars from the critics or less,
depending on just how far below five the rating
is. My own
guideline: A means the movie is so good it
will appeal to you even if you hate the genre. B means the movie is not
good enough to win you over if you hate the
genre, but is good enough to do so if you have an
open mind about this type of film. C means it will only
appeal to genre addicts, and has no crossover
appeal. D means you'll hate it even if you
like the genre. E means that you'll hate it even if
you love the genre. F means that the film is not only
unappealing across-the-board, but technically
inept as well.
Based on this description, this
film is a C+.
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