Dead Awake (1999) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
The liner notes:
After I read that, I was prepared for a screwy movie, and the first ten minutes didn't let me down. But as I watched and watched, I got into it deeper and deeper. It is an extraordinary black comedy which uses a film noir murder plot as its general framework, but wanders off into levels of insanity and exaggeration that make it quite good because of its sheer daring. You see, Mr Caine is a brilliant amoral cog in an immoral corporate machine. "What do we do with our failed spackling paste, Mr Caine?" "Simple, market it as synthetic pizza dough. The public will buy synthetic butter and cheese, and that was a hard sell. Compared to that, pizza dough is easy." Caine is an eccentric genius who sleeps all day with his eyes open, a fact which only his personal secretary knows. At least he thought his secretary was the only one, but when she was grotesquely killed trying to retrieve a suitcase on an electrified rail for a wheelchair-bound man, one of her friends stepped forward to ask for the job, and she knew everything about the insomnia. That girl, Kick, became his new assistant. Since Caine sleeps all day, he can't sleep at all in bed at night, so he wanders the streets every night, following the exact same routine to the exact same spots with the precision of clockwork. Although a yuppie himself, he meanders through the parts of town inhabited by the down-and-out, the homeless, and insane street people in all-night greasy spoons. All of the characters in these locations are played for high concept comedy. Michael Ironside is especially intriguing as a muttering lunatic who clearly used to be some kind of a genius before an incident that shattered his skull. His mutterings are distorted and paranoid versions of genuine insights and arcana. One night, Caine witnessed a murder involving complete strangers, but when the police start to investigate it, they were led to conclude that the only possible murderer is Caine himself. The dead man had a $10,000 watch that was bought by Caine's wife. Revenge upon his wife's lover? |
Of course, nothing made sense at first, as if it took place in a surrealist film or a Kafka story, but it turned out that there was a logic to it. Although the details of the murder mystery were completely bizarre and grotesque, and the film was a black comedy, the writer did stay consistent and made the explanation fit the facts, absurd though they were. You see, Desmond's very predictability made him the perfect witness to a crime. He walked past the same place every morning at 3:17, so if someone wanted him to witness a murder, or a fake murder, all they had to do was commit it when he would surely be passing by. They weren't trying to frame him for the crime, but since he was set up by people who knew him, there was a good reason why all the clues led back to him, even though he thought it was a random street scene. |
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Get it? The absolute outrageousness of the film and the offbeat characters made it special.
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When I realized the star was the Blond Baldwin, and watched the first few minutes of this film, I though it was just going to be another smug, brain dead, grade-b, hipper-than-thou comedy, but it isn't. It is actually quite a tight, imaginative, brilliant, demented little script which just didn't quite prove marketable enough to become a theatrical release. I ended up genuinely enjoying the programmed consistency of its deranged logic, and the way the author tied all the absurd details neatly together. If you accept the loony world in which they live, it works as a thriller, and it worked for me as a black comedy. It does walk that proverbial fine line between genius and insanity, so it sometimes slips over toward the insane side of the line, and can be offensive. Most people will not like it. IMDB viewers say only 3.8/10, meaning they liked it about as much as pond scum. But enough genius shows through that the small number of you who will like it may put it near the top of your list of recent favorites. |
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