Disappearing Acts (2000) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Some
amazing talent is finding rewarding work with guaranteed distribution
creating material for the premium cable channels and PBS.
Disappearing Acts is a very good Hollywood formula love story, and a little more. The couple, Wesley Snipes and Sanaa Lathan, are mainstream black culture, but from slightly different levels of society. She is educated, teaches music in a public school, and has dreams of becoming a recording star. She is tired of dating yuppie black men, and wants someone who will love her for her. Snipes is a construction worker, separated with two kids, who can't cross the color barrier and get into the union, so works only sporadically. He never graduated from High School, but has dreams of becoming a contractor. Lathan appeals to Snipes immediately, and he succeeds in showing her that he is a very nice man, and totally into her. There are several bumps in the relationship before the happy ending. All this, and it is told from the woman's point of view in a way that most men will "get it." The story is based on a book by Terry McMillan (How Stella Got Her Groove Back, Waiting to Exhale). Terry also produced. Gina Prince (Love and Basketball) directed. DP Tami Reiker did a marvelous job, as did art director Derrick Kardos. Lathan shows her nipples in a dark love scene with Snipes, and has good cleavage and pokies. Frankly, she looks great even fully dressed. I enjoyed this film very much. Even though it is made for TV, and tells the story of a black relationship from the woman's point of view, I found it very accessible as a California honky. The messages are there, and provided a lot of insights, but they didn't get in the way of the love story. This is one you can watch with your significant other. Scoopy's comments in white: This story was assembled by the all-star team of classy dramas about African-Americans. |
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So how did it come out? Well, let me put it this way. There is nothing really wrong with the film. It's intelligent, the characters seem real, the dialogue is drawn from life, the performers are competent, the photography is clear ..... | |||||
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Yet when it was over, I said to
myself. Why, exactly, did I watch that? It's a project with good
intentions, and no malice in its heart, but it's really just a soap
opera that we've seen a jillion times before. An educated woman, a
teacher who aspires to be a singer/songwriter, falls in love with a
guy from the other side of the tracks, a gentle carpenter without a
high school education. Their life together has the usual high and low
points. With a few minor changes, the film could be about
Asian-Americans, or Europeans, or any other ethnic group.
I did enjoy watching a movie where the characters were recognizable human beings. That's refreshing in this gimmicky world, so I feel that you won't kick mind watching it, but I don't recommend going out of your way to see it. |
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