Eight Below (2006) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Eight Below is a schmaltzy PG-rated Disney film about some sled dogs who had to be abandoned in Antarctica upon the onset of an unexpectedly early winter season. The dogs' handler was sick from frostbite, passed out for quite some time, and wasn't aware that the evacuation had gone ahead without his beloved dogs - "the kids," as he calls them throughout the film. The meat of the film consists of two parallel stories: one takes place in Antarctica where the canines struggle to survive the winter. The other takes place in civilization, where the handler (Paul Walker) struggles to find the money and the help he needs to evacuate his beloved pooches. The script is based on the real story of nine dogs who had to be abandoned by a Japanese team in 1957. Two of them miraculously survived for about a year on their own. The story had previously been made into a smash hit Japanese film called Nankyoku monogatari in 1983. I had mixed feelings about this film. On the one hand I sat watching it and muttering to myself, "If you're going to make a film about the Northern Hemisphere, just say so, for chrissakes. Change the location to Svalbard or Greenland or Northern Canada, and tell the same story." This film has almost nothing to do with Antarctica or the story that forms its alleged basis. Some examples:
Eventually I decided that I was just being too persnickety with those comments. So the movie is dumb? So what? It's really a movie made to entertain kids and people who love dogs, and I think it will fit the bill for both groups. The dogs are absolutely beautiful, especially the silver Huskie who plays the alpha female, and the monstrous red Malamute who plays the brawn of the pack. The scenery is just as beautiful. It may not be Antarctica, and it may not look like polar winter, but it sure is purty, wherever it is. The performances from the dogs, and the direction of the dog segments, is excellent. It is not easy to tell a story with no words at all, using only real dogs and their behaviors, and I think this film pulls it off. I found the film completely captivating whenever it focused on the animals. The human part of the story was basically just filler, but there was nothing really objectionable about it. Some of the critics ragged on Paul Walker, but I don't agree. I will grant that Walker is a limited performer, and I really don't foresee a demand for Paul Walker's Hamlet in the near future. He's one of those very handsome, very wooden guys who always seem to populate American films in the manly everyman roles, following a line that runs from Gary Cooper to Kevin Costner to Keanu Reeves to Chris Klein. But Walker did the one thing he needed to do in this film. He "sold" his love for the dogs. I don't know whether he really related that well to the animals. Maybe he did, in which case there was no acting involved at all, but it doesn't really matter. The key point is that when he was on screen his love for the animals was completely evident. And that was, after all, the acting required from him in this film. He did fine. The story can be syrupy (although it does not lack tragedy), and may also be unrealistic. So what? I really enjoyed it when the dogs were on screen, and I needed a few hankies myself. Take your kids. |
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