Goodbye Emmanuelle (1977) from Tuna

Goodbye Emmanuelle (1977) is the third and last of the real Emmanuelle films.

Although Sylvia Kristel appeared briefly in number 4, it was only for a paycheck. The releasing company couldn't bear to see the franchise die, and so continued it, but with none of the original cast or crew.

In number three, hubby is the same, and is an architect. The two live in the Seychelles, where they frolic with any number of like-minded friends, until a film director comes around, scouting locations, and Emmanuelle becomes interested, then captivated by him. The first two films were directed by men who were primarily photographers, which accounts for the great visuals. This time, they hired a film director who also writes, and he made #3 a French love story, which is to say a very slow-paced film about the growing relationship between Emmanuelle and the movie director.

Emmanuelle is a very different person in this film. In number one, she was wide-eyed, eager and rather innocent. In number two, she was a self-assured hedonist.  For this one, she is somewhat world-weary, and admits that living for love only works if you have a great imagination. There is also a feminist flavor to this film. There was some criticism of number two as misogynistic, and some of it came from Kristel. The director, still fighting to get number two released in France as an 18+, decided to tame number three down a little, hoping that would win him points. Although there was still plenty of nudity, the simulated sex was even less explicit than in the first two, and there was much less girl/girl. Also, a downside to open marriage was presented.

NUDITY REPORT

Sylvia Kristel again shows everything, as does Charlotte Alexandra. Radiah Frye shows breasts and buns, and Caroline Laurence shows breasts only.

DVD info from Amazon (the trilogy)

DVD info from Amazon (#3 only, not in stock)

I thought it the worst of the three, by far. It is true that I have always been near an ocean, and don't think of the coast as exotic, but the location was a real step down from Thailand and Hong Kong for me. I also didn't like the shift from eroticism and imagery to Emmanuelle's rather ordinary search for love, commitment and fulfillment. For me, they lost the entire point of the series. It does look good, however, and the transfer is at least as good as was number two. Anchor Bay deserves kudos for a great job on this three DVD set.

The Critics Vote

  • no English language reviews online

The People Vote ...

The meaning of the IMDb score: 7.5 usually indicates a level of excellence equivalent to about three and a half stars from the critics. 6.0 usually indicates lukewarm watchability, comparable to approximately two and a half stars from the critics. The fives are generally not worthwhile unless they are really your kind of material, equivalent to about a two star rating from the critics. Films rated below five are generally awful even if you like that kind of film - this score is roughly equivalent to one and a half stars from the critics or even less, depending on just how far below five the rating is.

My own guideline: A means the movie is so good it will appeal to you even if you hate the genre. B means the movie is not good enough to win you over if you hate the genre, but is good enough to do so if you have an open mind about this type of film. C means it will only appeal to genre addicts, and has no crossover appeal. (C+ means it has no crossover appeal, but will be considered excellent by genre fans, while C- indicates that it we found it to be a poor movie although genre addicts find it watchable). D means you'll hate it even if you like the genre. E means that you'll hate it even if you love the genre. F means that the film is not only unappealing across-the-board, but technically inept as well.

Any film rated C- or better is recommended for fans of that type of film. Any film rated B- or better is recommended for just about anyone. We don't score films below C- that often, because we like movies and we think that most of them have at least a solid niche audience. Now that you know that, you should have serious reservations about any movie below C-.

Based on this description, this film is a very low C-, and even that grade is limited to the mini-cult of Kristel fans and Emmanuelle completists.

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