Faithless (2000) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Original Swedish title:Trolösa |
Even though cinema's legendary Ingmar Bergman is about 85 years old, he's still active in film. As I write this, he is writing and directing a project called Saraband. Three years ago, he wrote Faithless, and it was directed by his former star and former lover, Liv Ullman. The film comes with the heavy burden of high expectations. Bergman is a candidate for the title of "greatest director ever". Liv has written and directed several of her own films, and is arguably the biggest female star in Scandinavian history. |
|
As Bergman lives out his old age, he has somewhat
isolated himself on an island, away from the hustle and bustle of
modern life. As you might expect, this sort of life has a profound
impact on the type of material he creates.
And he wasn't that cheerful a guy to begin with. In essence, this film is about Ingmar Bergman writing this film. An old man named Bergman is writing away about characters based upon himself and two people he knew, reliving an incident in his own life some sixty years earlier when he contributed to a great tragedy by having an affair with a married woman. As he sits and writes in his study, he discusses the incident with the wife he seduced. It is only as the story unfolds that we realize that the woman he is talking to can't be there. The woman in his study is the same age as she is in the flashbacks, even though Bergman has aged 60 years. Bergman is actually talking to one of his characters, employing a writer's technique to understand the character's perspective. |
|||||
|
That's what happens when you're old and live on a frozen island. You end up spending too much time with your memories and rehashing your life. If you are a great screenwriter, you turn the rehashing into a script. The film is basically a stage play, and could easily be tweaked so that it could be performed on stage with four actors or even three actors playing the three-and-half parts. (The adulterer is a younger version of the old writer, so I guess one actor could play both parts.) The script basically consists of people examining and re-examining their lives honestly, in 148 minutes of talk. It is a movie for a very small niche of Bergman admirers. The people who admired it praised its complete honesty, and I guess that is fair praise. I found it slow going. |
||||
|
Return to the Movie House home page