| Jimmy and
          Greta Scacchi actually do fine in an underwritten, superficial 
        treatment of a Cuban writer, a political refugee who comes back to the 
        USA from a Cuban prison to find that his wife resents his "honorable" 
        decision to go to prison. He could have just shut up, pretended to go 
        along with Castro, and then snuck out with her and her daughter. But, 
        no-o-o-o-o. She still loves and 
        admires him, but he's been missing for years, so she has taken on a new 
        lover who seems like dad to her daughter. Jimmy's eventual appearance in 
        the States greatly complicates the personal situation. | 
    
        |  | Scacchi has to balance off the two
          proud men that she loves, while Jimmy has to balance off his
          importance in the Cuban expat community in Miami against his need to
          get to know his family again. It's about as good as it sounds. And the decision to dump the American
          guy shouldn't have been that difficult for her - it was Vince
          d'Onofrio, after all, and you just know he's going to go on a killing
          spree sooner or later.  | 
    
        | 
            
                | 
                Tuna's Thoughts |  
                | Fires Within 
                (1991), which IMDB calls "Little Havana" is really a love 
                triangle, with a backdrop of the Cuban community in Florida. 
                Greta Scacchi and Jimmy Smits play a couple who were married in 
                Cuba, and had a daughter. Scacchi is a school teacher who wants 
                nothing more than to protect her family, while Smits is a highly 
                principled writer who becomes an activist against the Castro 
                regime. He is arrested and sentenced to 20 years. When they 
                offer him release if he signs a loyalty oath and recants his 
                anti-government stance, he prefers to spend the rest of his time 
                in solitary and away from his wife and daughter. Scacchi and 
                their daughter escape to Florida, and settle in Little Havana. 
 Cut to seven years later, and Smits has been released from 
                prison and allowed to leave Cuba. While he was gone, Scacchi has 
                taken a few jobs, and had an ongoing affair with the owner of 
                the boat that rescued her during the escape. Now she and the 
                daughter must choose between the two men. Smits is encouraged to 
                become an activist in Little Havana, and is something of a local 
                hero. Scacchi sees history repeating itself, so we have two 
                conflicts set up:
 
                  Who will 
                  Scacchi end up withWill Smits 
                  choose his cause or his family? The film is 
                beautifully photographed mainly in a very colorful Little 
                Havana, and we get a feel for what it is like when your family 
                members are political prisoners, or are still living under an 
                oppressive dictatorship. The performances are adequate, but the 
                story didn't have near the power and dramatic impact it could 
                have. Scacchi shows breasts and buns in flashback sequences. 
                IMDB readers say 5.8 of 10. I am not sure this Indie ever had a 
                theatrical release, and there are no reviews of note on line. I 
                found it rather lukewarm, and can give it no more than a C. The 
                concept had merit, but the script was way under-written, giving 
                the film no chance. |  | 
    
        | 
            
                | The
                Critics Vote | The People
                Vote ...  |  
                | IMDb
                guideline: 7.5 usually indicates a level of
                excellence, about like three and a half stars
                from the critics. 6.0 usually indicates lukewarm
                watchability, about like two and a half stars
                from the critics. The fives are generally not
                worthwhile unless they are really your kind of
                material, about like two stars from the critics.
                Films under five are generally awful even if you
                like that kind of film, equivalent to about one
                and a half stars from the critics or less,
                depending on just how far below five the rating
                is. My own
                guideline: A means the movie is so good it
                will appeal to you even if you hate the genre. B means the movie is not
                good enough to win you over if you hate the
                genre, but is good enough to do so if you have an
                open mind about this type of film. C means it will only
                appeal to genre addicts, and has no crossover
                appeal. D means you'll hate it even if you
                like the genre. E means that you'll hate it even if
                you love the genre. F means that the film is not only
                unappealing across-the-board, but technically
                inept as well. Based on this
                description, this film is a D. (Tuna C-) Basically a TV movie. Not bad,
                but just
                not worth the time invested in it. |  |