Gods and Generals (2003) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Basically a story of General Stonewall Jackson's
contribution to the Confederacy, this is a dull film. It really
isn't an entertainment movie at all, but more like one of those
historical recreations that they show in museums, except that it had
a monstrous budget and seems to be as long as the Civil War itself.
I don't have any expertise in the area, but I have read that the
history is meticulously recreated. Sigh. If only the scriptwriters
had been English majors rather than history majors, the project
might actually have resulted in a movie rather than a long
re-enactment project.
I don't know how it is possible to make a dull movie about Jackson. He was not only a great military champion, but was a truly eccentric man. I mean not just a flaky guy, but a genuine nutcase. For example:
On the surface, the pious, dignified, slow-thinking Jackson didn't seem much like the profane 20th century genius, George S Patton, but the two great generals had a lot in common. Both were focused, single-minded, and aggressive warriors who didn't care much for sitting back and waiting for the enemy to make decisions. Neither had any sense of the possibility that he could be wrong. Subordinates hated them both as men, but loved the fact that they produced victory after victory. Above all, both men were nutty as fruitcakes, and often held imaginary conversations with non-corporeal beings. Madness, a lack of subtlety, a lack of thoughtfulness, and an inflexible mind-set can be liabilities in certain professions. Hell, in most professions. But there are a few places in the world where a man with no self-doubts, no hesitation, and no predictability can succeed where rational, balanced thinkers fail. A boxing ring is one such place. A battlefield is another. Military strategy is a profession where even lunatics can achieve great successes, because their sane opponents simply can't anticipate irrational strategies. Hitler's perfectly sane generals were completely astonished by the successes of the Fuhrer's "insane" strategies in the early part of WW2. Stonewall Jackson himself summarized it beautifully in his prescription for military success: "Always mystify, mislead, and surprise the enemy." |
Although Lee was the real strategist behind them, Jackson's military campaigns were incredibly successful, and Jackson was the battlefield tactician. From the first battle of Bull Run until he sustained his fatal wound at Chancellorsville, Jackson fought battle after battle without defeat, often battling theoretically superior forces to a standstill, or even defeating them. Whether Jackson was directly responsible or not, the South was kicking some ass until Jackson died, and started losing immediately afterward. |
|
|
A man like this should make for a great biopic. On the one hand, he was one of the most successful generals in the history of the world. On the other hand, he was as nutty as a fruitcake. Those very same two factors made Patton a great and complicated movie, one capable of pleasing both pro- and anti-war audiences. Unfortunately, Gods and Generals barely touched on those elements and spent most of its time on battle re-enactments (this film is a masturbatory fantasy for those guys who love Civil War re-enactments, and many of the re-enactment societies participated in the film, often on the actual terrain where the battles were fought). The film did touch on the fact that Jackson was a figure to be ridiculed in peacetime, yet the very same personality characteristics made him a formidable hero in wartime, but the script barely scratched that contrast, and played out more like a hagiography. Jackson didn't even seem very eccentric in this film, but rather just an incredibly boring, patronizing, self-righteous, deeply religious windbag. |
||||||
|
Return to the Movie House home page