Guilty by Association (2002) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Whoa, did I get suckered in by this one. I'm pickin' up all the worthwhile new releases at Blockbuster this week, and here's this movie sitting there with a picture of Morgan Freeman on the cover. The DVD box has been beautifully engineered to look like a clone of Along Came a Spider or Kiss the Girls, with Freeman dominating the box, staring meaningfully and compassionately off into the unknown. I should have wondered why I never heard of the movie, but what the hell, I can't keep track of every movie everywhere, so I figured it just slipped by me. |
Turns out it is a confusing, no-budget black urban street drama shot on DV, indistinguishable from about a zillion similar films in the new releases section at Blockbuster (with exactly one copy of each on the shelf). Morgan's part is almost irrelevant. I guess it was a vanity project financed by the rap group Section 8 Mob. |
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One thing I noticed in this film is that we white guys need more colorful names. Other races are creating an all-important nickname gap which we may never be able to close. It all started with Hawaii 5-0, which featured Zulu as Kono. How much cooler is that than "Jack Lord as Steve McGarrett"? But this film kicks Hawaiian butt. Check out these credits: |
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I found it difficult to understand the dialect, the editing was confusing (including some obvious continuity errors like a stripper's top going back on), and one guy plays two parts, so I'm not too sure what the hell this film was about, but the plot is something like this: Two friends work their way up from the streets through the rackets. The one guy gets a big head, starts to show off his wealth, and recklessly attracts the attention of the cops. They nab him, then he rats out his friend. A gang war results. A little girl dies. Then Morgan Freeman comes out as a police captain, and looks soulfully into the distance, and pontificates about how "evil" is bad and certainly worse than "good", because good is better, and it would therefore be much better if we had more good and less evil. He muses that we should accentuate the positive and eliminate the negative and not mess with Mr In-Between. |
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Then Morgan thinks about the crimes in a musical montage, solves them, punches the timeclock, and collects his paycheck. To be fair, I can't believe Morgan did this for money, because they couldn't have paid him enough to make it worth scheduling around, and he certainly couldn't have done it because he was attracted by the aesthetics of the project. So I'm guessing that he has a friend or relative involved somewhere, and he agreed to appear for a couple of minutes as a favor to someone who felt that Morgan's face on the DVD box would trick some old white farts into renting it at Blockbuster. That may be sleazy, but it sure ain't stupid! |
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