In Pursuit (2000) from Johnny Web (Uncle Scoopy; Greg Wroblewski)

The chubby Baldwin is a lawyer. He stops to help a female motorist one night, and takes some pictures of her car, for insurance purposes. Later that night he's picked up on a DUI, but in the morning he's arraigned for murder. But he escapes from prison. He knows that either the motorist or the pictures can alibi him.

• Turns out that he and his lover were blackmailing the murder victim, just as the D.A. said. (It took him a long time to admit this to his own lawyer!),
• But it later turns out that his lover (Claudia Schiffer) may or may not have framed him for the murder (he's not sure whether to trust her, and the script keeps leading us back-and-forth)
• then it turns out that the murder victim is his own father (he never told this to the lawyer either)
• and finally it turns out that the murder victim isn't dead at all, and is looking remarkably sprightly for a dead man, having faked his own death.

Dad's new lease on life doesn't last long, because the lover/doublecrosser killed the "victim" a second time (oh, yeah, she was also the father's lover), and although dad didn't fake that second death, he still managed to come back and get involved in several more plot twists, and was still remarkably sprightly for a man with several bullets in him who was given up for dead.

And even the stranded motorist turned out to be a set-up. In one brief sequence after the jailbreak, Baldwin coincidentally sees the stranded motorist in her car, just hanging out in San Diego (it's a small town), but if that weren't enough of a concidence, she runs out of her car when he slides in, then she commandeers a passing car, and is immediately hit by a passing truck.

And you know that lawyer that Baldwin lies to constantly? He ends the movie with her as his new girlfriend after he dumps Claudia Schiffer.

The plot is rambling, and I'm still confused about why people did what they did. The acting is often on the dinner theater level. One character comes back from the dead twice, and another escapes from a maximum security prison through a vent, and escapes a sinking, burning boat while he's trapped below. (Well, just for the sake of info, here's how - he goes underneath the burning gas-soaked water in the hull, takes the fire ax with him. While submerged and holding his breath with the fire raging just inches above his head, he uses the axe to make a bigger hole in the hull, and swims through it.)

Everyone turns out to be everyone else's lover or father, and every character lies or withholds facts from every other character at all times, and there are about 10 consecutive completely unbelievable coincidences, and ...

... and I'm not going to remember anything more about this. Its too painful.

It has no good points. It is more comprehensible than "Glam", so it's not the worst movie of the past year, but it made a pretty good run at it.