The King's Whore (1989) from ICMS and Johnny Web (Uncle Scoopy; Greg Wroblewski) |
ICMS's notes in yellow
Valeria Golino is best known in the
States for her role in "Rain Man". She has never been shy, but I
didn't realize that she had allowed herself to be shot by the gyno-cam
until I watched "The King's Whore" (1990).
The movie itself turned out to be a
pleasant surprise for me. I had expected some boring 18th century
costume drama with overlong dialogue. It was luckily nothing like
that. While the direction is a bit static, there is a wide variety
of different locations and the sometimes fierce dialogue between
the two main characters and their states of mind managed to hold
my interest during the entire film. Although the director lost
control of the storyline a bit near the end, it doesn't really
hurt his film, especially since both lead actors, Valeria Golino
and Timothy Dalton, put in a strong performance and
held everything together.
This drama is set at the beginning
of the 18th century at the royal court of Piedmont in Turin.
Valeria Golino plays the role of the Countess of Verua. She and
her husband, the Count, have something strange going for a couple
of royals in those days: they married because they are deeply in
love with each other. They end up at the royal court and as soon
as the King (Timothy Dalton), who isn't used to no as an answer,
sees the fresh countess, he wants her to himself. His yearning is
such that it becomes an obsession to him.
Pressured and black-mailed by
everyone at the court, including by her husband's family and the
Queen herself (so the King would become better humoured again),
the countess practically has no choice but to give in and become,
as the title indicates, the King's whore. She certainly doesn't
give away her charms for free and has a large influence on him.
The King too is not the easiest of guys to deal with but is he
really the brute we are lead to believe he is? And is
the initially sweet and innocent countess only bedding him because
she has no choice?
All in all this film could have
been better, but it's a nice and effective effort as it is that
doesn't give you an urge to press the fast forward button. The
image quality of this Spanish full frame version DVD could have
been sharper and the colours a bit crisper, but it is still
acceptable.
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Scoop's notes in white |
King pursues noblewoman. She finally gives in because of some political advantages to be gained, and because her husband seems to be unconcerned. She and the king have a power struggle. Later, she contracts smallpox, and the king becomes her caregiver! Ah, his lust was love after all. The soulful king is played by Timothy Dalton, whose powerful presence was the only strength of this slow-moving costumer which couldn't decide whether it wanted to be a serious drama or a bodice-ripper. |
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I have never been able to figure out why Dalton never became a major star. He has the looks, the voice, the athleticism, the complexity, and the acting ability. When I watched this film, then thought about why he never inspired any love as James Bond, I was forced to an inevitable conclusion. Despite all his talent, he is a very dull man. He is just a big, sonorous, powerful, athletic, handsome bore. He is so dull he makes Ralph Fiennes seem to be as wacky and fun-loving as John Belushi. He is so dull that a permanent Timothy Dalton film festival could drive Sominex out of business. And he's the liveliest thing in this film. |
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