Lies (1999) from Johnny Web (Uncle Scoopy; Greg Wroblewski) and Tuna |
I'm ready for my career in sexploitation. I've even got my justification prepared. My film will be an thoughtful examination of the natural progression of an incandescent sexual relationship. A sexual odyssey toward the forbidden passion that knows no limits. A detailed insight into existential erotic angst. |
Well that's what I'm going to say. But you guys will know what it really is. It will be a porno flick for people who like to watch women grease their bodies with Turtle Wax, then masturbate while wearing chicken masks. But I can't say that, because all the watchdogs and religious conservatives will immediately come after me for exploiting and corrupting their children. Then every time a kid is seen in a chicken mask, the American media will blame me. So I have to rationalize with that crap above, but all you guys will know what I mean. Wink, wink. Nudge, nudge. |
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Lies is a Korean sexploitation film about a man and a woman with the same obsession - whipping. He's 38, she's 18. He excites her at first because he's so sophisticated and she's a virgin. Then he becomes too clingy, she matures, she dumps him. It's just the same old relationship story as usual, except that instead of straight sex, their whoopee-making activity is pretty much based upon beating each other's backsides until they are raw, and other rear-oriented activity like sodomy, coprophilia, etc. My personal favorite was when the guy butt-fucked the girl even though she had to shit, then made her suck his shit-covered dick. They finished by kissing for a few minutes, talking about how the taste of shit excited them. Your basic sophisticated, existential stuff, and yet with a certain light-hearted romance that would make it an ideal date movie. Provided that you are dating Squeaky Fromme. Let's just say when they say in this film "I'm gonna whip your ass", they are not speaking figuratively. In order to make the film seem like something more than a fuck-flick, the director inserts some pseudo-artistic third wall violations. We hear him shout "cut" at the end of a scene. We see an interview with the lead actress, which is inserted right into the movie proper, in which she talks about her reservations about the nude scenes. This was undoubtedly inserted to persuade people with double digit I.Q.'s that they were watching art instead of a fetish film. I have made a note of that technique, and will use it myself when I make my Turtle Wax film. I will explain that it is an homage to Pirandello. Very few people know that Pirandello liked to watch women cover themselves with Turtle Wax, and even fewer have seen his long-forgotten play on that very subject, in which the Turtle-Waxed women ponder aloud while they masturbate, wrestling with the question of whether they are real people who like to cover themselves in Turtle Wax, or merely characters in a Pirandello play about Turtle Wax. One of the characters even wonders if Pirandello lived long enough to hear of the invention of Turtle Wax. Look for many of those elements to be incorporated into my movie. |
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I think the film is probably more interesting if you are Korean, because I guess the female star is a famous Korean fashion model who had never acted before. So for them, this would be like us seeing Heidi Klum in a medium-core specialty sex film. Stripped of that context, however, it's just a medium-core specialty sex film. Is it a great fuck film? No. But it's an OK one. It's probably great if you are into whipping. |
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