La Mentale (The Code) (2002) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
I'll be damned if I can figure out how people decide which French films to distribute in America. I can see the logic in distributing great movies, movies that are uniquely French, or movies that provide something fresh and creative that can't be seen in American films. What I can't follow is the logic in distributing a grade B French copy of an American genre film! If we wanted to see a film like La Mentale, there are about 10 Hollywood movies and 10 indies with this exact same premise every year, and they have the extra benefit of being in English. This film has absolutely no American audience. It has no appeal to the intellectual Francophiles who adore French cinema, and it has no appeal to mainstream audiences who would go to see a French film if it were truly special, ala Amelie. The type of Americans who want to see this kind of film are not the same type that go to movies with subtitles, especially when the film covers no new ground at all. What's it about? I'll give you the start of the premise. Let me see if you can guess the rest. A criminal is released from jail. He is determined to work a regular job and make a decent life with his beautiful straight-arrow girlfriend, but his old criminal buddies want him to come back for ____________. |
Is your answer locked in? If you guessed anything else besides "one last big job", shame on you. This has now been the premise of about every third film since the Lumieres screened their first film. In fact, this very plot was probably in the Lumieres' second film. |
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Our ex-con gets drawn in deeper. Yadda yadda. Gang wars. Yadda Yadda. Turf battle. Yadda yadda. Ex-girlfriends. Innocent people killed. Yadda yadda. Bloody shoot out. Tragedy. Yak yak. And so forth. If this really appeals to you, you should be able to find a few hundred American movies with the same plot, better production values, and no subtitles. |
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