Midnight Mass (2002) from Johnny Web (Uncle Scoopy; Greg Wroblewski) and Tuna |
Scoop's notes in white: I had mixed feelings about this vampire/armageddon movie with a "punk" feel. I didn't like it, but I had to concede that the visuals were often composed and photographed beautifully. The script is basically the same old stuff, but there was kind of a nice twist in that an atheist was facing a real internal crisis because the most effective defenses against vampires include religious symbols like crosses and holy water and consecrated wine, thus implying that there is some "truth" to religious mythology. The story is pretty cheesy. It starts out by informing us that the whole world is being taken over by vampires, but focuses in on only one town on the New Jersey shore, and the battle of the locals to protect themselves. The local rogue vampire/priest there keeps assuring his enemies that "the world is mine". I guess that means he's the Big Kahuna of vampires world-wide. You'd think that with the entire world to choose from, Vampires would set up their HQ in Vienna or someplace, not in Asbury Park. |
So what's the problem with the film? Well, the editing is quite clumsy, and the vamps look kinda silly, but the main reason I didn't like the film is that the acting is so bad as to defy all audience involvement. It's really hard to get into a story when every character is either shamelessly overacting or delivering lines like a local used car dealer reading from cue cards. Sitting in the audience, you never get to cross over into their world because you're always aware they are "acting". |
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I don't know if I still would have hated the film if it had been made with real actors. Maybe it's best to say that the director shows some promise for future projects. |
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