The Ninth Gate (1999) from Tuna and Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Two non-committal thumbs held about parallel to the ground. An OK movie which should have been a lot better. Tuna's comments in white: The Ninth Gate (1999) is an International co-production directed by Roman Polanski and starring Johnny Depp. That kind of talent probably makes it sound better than it actually is.
Depp plays a book researcher. A famous collector of
satanic books hires him to authenticate a rare volume and compare it
against the only two other copies in existence. It gradually becomes
clear that there is immortality and a horrible power to be gained
from a secret which requires all three books, and that Satan himself
created the secret code. Depp has therefore gotten into the middle
of something far more sinister than he had originally thought.
In addition to wasting the immensely talented Depp in a one-note portrayal, The Ninth Gate lacks depth and complexity, and is overly long. It either needs more meat or a shorter running time. Polanski actually bragged that he didn't cut a single scene during editing, although he did shorten some, but he there simply wasn't enough substance to fill the 133 minutes of running time. It did, however, look really good, the research on the satanic symbols was very good, and the magick books were rather convincing. All in all, this is an OK occult mystery that should have been much stronger.
Scoop's comments in yellow: Interesting premise. Depp is an expert on old books. He is searching for the remaining three copies of "The Nine Gates", a book supposedly co-authored by Lucifer himself. Each of the editions has nine engravings, six drawn by the human author and three from the hand of His Satanic Majesty himself. The human work is uniform across all three editions, but Satan's three drawings are different in each book, so you need all three books to get the whole nine-gated collection. It's kind of like one of those supermarket encyclopedia deals. Depp comes to realize that he must get the nine pictures drawn by Satan before some baddies do. Emmanuelle Seigner is probably some kind of guardian angel who protects Depp from the baddies. |
Good start. It's a stylized noir, dripping with atmosphere, and featuring some deliciously campy scenery-chewing from Frank Langella and Lena Olin as the baddies. It exhibits some spooky CGI and some artistic set design from Polanski's team. But for all the mystery and elegance of the premise, Polanski could not figure out how to resolve it ... ... or even whether to resolve it. |
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After an engaging start, the film slows down and really drags in the middle. Then it gets silly toward the end, and by the time you get to the last five minutes, you'll be throwing stuff at the screen. After the climax, I didn't know if Seigner was really a good angel or perhaps the Worst Angel of all. To tell you the truth, I really don't know what she was, what happened to her at the end, or what happened to Depp. Not only will you not know what happens at the end, but you won't even know whether it is good or bad. I was just flat-out cursing the ending, which turned the entire film experience into a very big and irritating disappointment, even though I really enjoyed a lot of the stylish groundwork. | ||||
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