Pauline à la plage (1983) from Tuna

Pauline à la plage is an Eric Rohmer film, and quite possibly my favorite.

Pauline is almost 16, and heads to the beach with her older cousin Marion (Arielle Dombasle) for a late summer holiday. Marion immediately runs into an old boyfriend at the beach , Pierre (Pascal Greggory), whom she hadn't seen since her marriage, which she is now ending. He never lost the torch he was carrying for her, but she meets Henri (Féodor Atkine), an ethnologist, who is not looking for more than a little sex, and falls for him instead. Meanwhile, Pauline (Amanda Langlet) meets a boy her age, Sylvain (Simon de La Brosse) and is quite happy to have a boyfriend for the summer, even though she knows it will be a short-lived romance. Things are going well, with Pierre being the odd man out, when life is complicated by the candy lady, Louisette (Rosette), who sells candy and peanuts on the beach. Pauline and Marion are off playing tourist for the day, and Henri brings Louisette home for some variety. Sylvain is also there waiting on Pauline.

Pierre sees a very naked Louisette through Henri's bedroom window, then Marion arrives, Sylvain warns Henri, and Henri shoves Louisette and Sylvain into the bathroom. When Marion sees Louisette, Henri tells her that it was Sylvain that was with her. From then on, things get complicated.

Dombasle, who looks absolutely edible in this film, shows her breasts in several scenes, pokes our of most of her outfits, and shows most of her buns in a bathing suit. Rosette shows all three Bs through the bedroom window.

NUDITY REPORT

Dombasle, who looks absolutely edible in this film, shows her breasts in several scenes, pokes our of most of her outfits, and shows most of her buns in a bathing suit.

Rosette shows all three Bs through the bedroom window.

DVD info from Amazon

  • Widescreen letterboxed

Although it can be, at times, talky, and the teenagers are the most honest and least complicated characters in the story, I found it an absorbing look at the differences between men and women, and one of the best explanations I have ever seen as to why nice guys never get the girl.

True, it is very French, half coming of age and half romantic comedy, but I found it a complete delight.

The Critics Vote

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The People Vote ...

 

The meaning of the IMDb score: 7.5 usually indicates a level of excellence equivalent to about three and a half stars from the critics. 6.0 usually indicates lukewarm watchability, comparable to approximately two and a half stars from the critics. The fives are generally not worthwhile unless they are really your kind of material, equivalent to about a two star rating from the critics. Films rated below five are generally awful even if you like that kind of film - this score is roughly equivalent to one and a half stars from the critics or even less, depending on just how far below five the rating is.

My own guideline: A means the movie is so good it will appeal to you even if you hate the genre. B means the movie is not good enough to win you over if you hate the genre, but is good enough to do so if you have an open mind about this type of film. C means it will only appeal to genre addicts, and has no crossover appeal. (C+ means it has no crossover appeal, but will be considered excellent by genre fans, while C- indicates that it we found it to be a poor movie although genre addicts find it watchable). D means you'll hate it even if you like the genre. E means that you'll hate it even if you love the genre. F means that the film is not only unappealing across-the-board, but technically inept as well.

Any film rated C- or better is recommended for fans of that type of film. Any film rated B- or better is recommended for just about anyone. We don't score films below C- that often, because we like movies and we think that most of them have at least a solid niche audience. Now that you know that, you should have serious reservations about any movie below C-.

Based on this description, this film is a C+. Excellent subtitled film, a winner for its targeted audience.

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