Shôjo (2001) from Tuna |
Shôjo, aka Showyo: An Adolescent, aka SHOUJYO: THE ADOLESCENT is a Japanese Lolita story. Tomokawa is a bicycle policeman in a small village. There is very little crime to occupy his time in this bailiwick, so he has found a great way to make the work day seem shorter. He finds pets, keeps them at home for a few days, then returns them to their grateful single female owners. He knows exactly how the women can express their gratitude while dispelling some of their loneliness in the bargain. A girl named Yoko (Mayu Ozawa) seduces him, claiming to be 17, but he later discovers that she is 16, is in Junior High School, and is the sister of a simpleton he has befriended. The simplified plot description makes Shôjo sound like an exploitation movie with a little pedophilia thrown in for good measure, but that is not the case. It is an artistic film which had a tiny NY/California run in the United States, and was reviewed by such mainstream media as The New York Times and TV Guide. It won the Grand Jury prizes at the AFI fest and the Paris Film Festival in 2002, and Maya Ozawa won some festival awards for her lead performance. Tomokawa is a sensitive, caring person, and is in love with Yoko before he knows her true age. They are also connected in a somewhat mystical way. He has a tattoo of a one-winged bird covering his back. The legend has it that he needs the female version of the one-winged bird before either of them can soar. It was Yoko's grandfather that gave him the tattoo, and her mother was supposed to have the female version. For her part, Yoko had probably loved Tomokawa from an early age based on his tattoo. Veteran character actor Eiji Okuda, making his directorial debut and also starring as Tomokawa, seemed to have no difficulty being both in front of and behind the camera. The photography is absolutely wonderful, and the film also serves as a beautiful portrait of small village life in Japan, but Okuda's greatest directorial accomplishment is that the 132-minute film moves very quickly in spite of some fairly lofty artistic aspirations. Shôjo is a must-see for lovers of Japanese cinema. |
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