Succubus (1969) from Tuna |
Succubus is another masterpiece from Grade-B horrotica filmmaker Jess Franco, this time allegedly based on a segment of the Necronomicon. Because it was produced uncensored in Germany with adequate financing, this is the first film he was able to make exactly as he wanted. Despite that, he admits that most people, including himself, don't understand it. I don't feel so bad now. I can relate nothing about the plot, as I didn't understand it at all. Jess says that it is not necessary to understand a film in order to enjoy it, and that the average person doesn't understand any of the films he sees. That may or may not be self-serving rationalization on his part, but in my case I found this particular film tough going. Here's what I did understand: Janine Reynaud plays a woman who performs a snuff act in a nightclub for bored jet-setters. The devil has so corrupted her that she has become as evil as he is. She becomes more and more cruel. Along the way, she seems equally interested in men and women. In a special DVD interview, Jess says it was originally to be made as a joint venture with Spanish money, but there was a law that any film partially financed by Spain had to be made entirely in Spain, and was subject to Spanish censorship. When a German offered to put up funds, Franco submitted his script to the Spanish and German censors. The Spanish banned it, the Germans approved it with no restrictions. That made his decision easy. Franco says that this film ultimately did very well financially, but one must note that Jess did not provide any quantification of "very well" and one must be aware that he did not operate on the same scale of measurement as Spielberg. For Sr. Franco, "very well" probably meant that he was able to leave Germany without doing any significant time in debtor's prison. |
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