Team America: World Police (2004) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
"Freedom isn't free. No, there's a hefty fuckin' fee" "Darling, I need you more than Ben Affleck needs acting school" - song lyrics from Team America
I guess the Affleck reference is appropriate, because Team America is the first movie with an all-wooden cast since Jersey Girl. If you have seen a lot of movies in your life, as I have, you are often haunted by the feeling that you've seen it all before: relationship "comedies" where people talk to the camera; "thrillers" with the exact same ludicrous plot twists which have been used a hundred times before; "dramas" that teach us to love homosexuals and respect suicide; Summer blockbusters which consist almost entirely of explosions and car chases, punctuated by some "buddy" humor. The same crap again and again. And then there are Trey Parker and Matt Stone, those two incredibly funny Colorado satirists who seem to see the humor in everything, and really enjoy barbequing every sacred cow. Nothing they do seems like it has been done before. When they were still in school, they created "Cannibal, the Musical", which certainly must be the Citizen Kane of happy-ass musicals about cannibalism and capital punishment. As time went on, they came up with Orgazmo and their groundbreaking South Park franchise. Their humor is scatological, sophomoric, often stupid, sometimes downright offensive, and almost invariably howlingly funny. I knew they were my kinds of guys when Trey Parker showed up at some Hollywood soiree wearing the exact same revealing dress that had brought J-Lo to national attention. The best thing about these guys is that they have an unflinching eye for people who take themselves far too seriously. It doesn't matter which side of the political or cultural spectrum those people fall on, Matt and Trey will seek them out like lionesses seeking prey, sensing vulnerability and attacking. Their targets include not only the current administration and its self-righteous holier-than-thou patriotism, but also the Hollywood leftist elite and its own self-righteous holier-than-thou liberalism. Matt and Trey know, as you and I do, that these people all deserve ridicule in some way or another. How many times have we seen someone like Donald Rumsfeld or the Presidential press secretary tell an outright lie to a room full of reporters who are all too intimidated and too chickenshit to say, "Dude, we've listened to enough of this crap. Everyone in this room knows you're lying, including you. How about just dropping the bullshit and telling us the unspun truth?" On the other side, how many times have we heard the Hollywood elitists defend some gang of common thugs like the Palestinian Authority, just because doing so is contrary to the positions of Israel or the American government? How many times have we heard ideologies like Michael Moore or the Swift Boat Veterans spin and twist facts to make some point that simply is not warranted by the unspun truth? How many times have we heard allegedly educated and sophisticated movie critics tell us that some utter crap like The Hours is sheer genius on a level with Shakespeare, simply because the movie advocates some lifestyle or political position that they approve of? Well, to answer my own rhetorical questions, a lot of times. And we have been powerless to do anything about it. We wish we could be in the room with those people just once, just so somebody would call them on their bullshit. Thankfully, we have Trey Parker and Matt Stone, the ultimate populist voices, who see the same things that we see, but do have the power to make that call. Not to mention the scatological wit and the cojones to do so. Good for them. Their reaction provides a catharsis for the rest of us. I saw this film in a theater filled with a mixed audience of various demographic groups - old and young, well groomed and sloppy. There were plenty of times when my ears hurt from the noise of laughter. When the film was finished, about half of the members of the audience jumped to their feet, cheered and applauded wildly. When was the last time you saw that happen after a movie? Team America is an all-puppet film about a sort of high-tech pseudo-CIA black operations team which flies off at a moment's notice to combat America's enemies wherever they may appear, and often to destroy far more than the terrorists would have if their evil plan had been uninterrupted. In the course of this film, Team America destroys the Sphinx, some pyramids, the Eiffel Tower, the Louvre, and God knows what else. Their enemy of the moment is Kim Jong Il, who is using Islamic terrorists as pawns in his own game of world domination. Team America's only hope to defeat the terrorists is to recruit the world's greatest actor, who will use his acting skills to pretend to be a terrorist himself, thus infiltrating their cells and uncovering their secret plans. His brilliant technique basically consists of going into the terrorists' favorite tavern (which looks suspiciously like the Star Wars cantina) with shoe polish on his face and a towel on his head, and saying "so ... anybody know of any good terrorist activities coming up soon?" That's the basic plot. Not that the plot really matters. |
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This film is exceptional in many ways.
Of course, we do not live in a fair world. Comedies are not placed on an equal level with drama. The very best comedies - Duck Soup, Airplane, There's Something About Mary, and the like - are not considered worthy to be mentioned in the same breath as mediocre dramas. To nominate Airplane or Blazing Saddles as best picture of any year would be considered an act of sacrilege. Furthermore, a comedy which skewers the Hollywood elite, which implies that they are dumber than the President whose intelligence they scorn, is surely not going to be honored by those very people. Matt and Trey are not only pariahs, they are "personae non gratae" in Hollywood. So forget about all those Hollywood power hitters and their phony-baloney awards. If we did live in a fair world, we might say that this movie is one of the the best films of the year so far. |
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