Some of the story elements survived in the American version, such as
the drug Czar, his addict daughter (Julia Ormond!), the wealthy drug
lord, and his wife who is left holding the bag. In this case, however,
the wife, a former Olympic swimmer, takes over the business, salvages
the family wealth, and sees to it that the witnesses against her
husband disappear. Helen, played by Lindsay Duncan, is topless in a
tanning machine in episode three, and has a lengthy full-frontal in
episode five while being strip searched in an airport.
To create the Soderbergh movie from
this mini-series, Pakistan was
replaced by Mexico, Germany was replaced by San Diego, and the
production of narcotics was dropped altogether.
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The series told a complete story, and not in the traditional way. For
instance, we learn that the Pakistani farmers grow it because they
would need twice as much land, and irrigation that they do not have,
to earn as much from other crops as they do from poppies. Further,
opium is no more illegal than vodka in Pakistan. The mini-series goes
into much more depth in the motivations of all of the players, and
also has more of a final message than the US film. While Traffic
mainly said that the "War on Drugs" was a farce that wasn't
working, Traffik contends that you will never end the problem by
attacking the production and distribution, because it is too
profitable, and the poor farmers have no real alternatives. They say
the only answer is to create a society where people don't need the
escape of drugs, and that you have to stop the demand, or the supply
will always be there.
IMDB readers, at the moment, have it at 9/10. I am sure this will
moderate over time, but it is very well done, and well worth
watching.
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