Under Suspicion (2000) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
Under Suspicion was produced as a labor or
love by Gene Hackman and Morgan Freeman, both of whom also
co-starred in the film. It is a tightly-contained psychological drama, essentially four characters in one room, like a stage play. It is about a police captain who interrogates the wealthiest man in Puerto Rico, his former friend, about the rape/murders of two very young girls, crimes which the rich man may or may not have committed. The other two characters are an unsophisticated younger policeman and the rich man's trophy wife. First we think the accused probably did it because he is lying about everything, then we think he could not have committed the crimes. Then we are convinced he did do them. But nothing is ever what it appears to be as the questioning strips away all the layers of the mystery. |
This is a
remake of Claude Miller's 1981 French film, Garde a vue,
which starred Romy Schneider as the rich man's trophy
wife (Monica Bellucci in the new version). I think the director and the actors did a fine job at maintaining the tension in what could have been a really chatty and static two hours. |
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The script
is good, and the basic storyline is good, but you still
have to be damned good to hold the popcorn audiences in
one room for two hours while two old farts rehash the
circumstances of some murders, and turn suspicion back
and forth. I think that you already know whether you would like it or not. Most of you will think it is too actionless to spend time on, but if you like the basic premise, and you like the psychological interface of good live theater, Hackman and Freeman are a couple of masters at work. I liked it. I like the kind of film where you have to pay attention to every little detail, lest you miss something, so I never reached for the fast forward because I wanted to see if I could figure it out. I have not seen the French original, but I suspect that I can make the same statement about both. The actual mystery seems to drive the film, but it does not. The real puzzle is to figure out why the people do and say what they do, not whether Hackman committed the crimes. |
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SPOILER AHEAD - skip if
you want to see it I did manage to figure it out, and I knew that Hackman's ultimate confession was false, but I didn't understand why he was confessing. I'm still not 100% sure I know why, to tell you the truth, but I consider the fact that I was allowed to solve the puzzle along with the detectives a plus, not a minus. My own personal peeve occurs in the opposite case - when the solution involves something not mentioned at all in the exposition, and the viewer must be surprised because he could not have known about it. To me, that's cheap sensationalism, whereas this one was logical exposition and a solid script. |
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