We Were Soldiers (2002) from Johnny Web (Uncle Scoopy; Greg Wroblewski) |
"Only the dead have see the last of war." ----- Plato ----- This is an movie that stands apart from most Vietnam movies by showing what was good about the war as well as what was bad. It is almost a truism to say that the Vietnamese war was disastrous for America and its sons. It stole away our faith in our own leadership. It made us seem to be imperialist aggressors in the world's eyes. It caused boys to be sent home in pieces or in body bags, all for a dubious cause. If they did make it home, there were no parades. There were college kids calling them "baby-killers". |
But we have heard enough about the political failings of Nixon and LBJ, and we have gone over the military failings of General Westmoreland ad infinitum. It is good to remember that beneath that inept and misguided leadership was bravery and heroism and fellowship, and good men fighting for their country and for each other. They did it because it was their profession, and/or because their country asked them to or forced them to. |
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This film centers around the first major American battle of the war, Ia Drang Valley, and it is told from both the American and North Vietnamese perspectives, switching back and forth ala "Patton". It is not shy about pointing out some of the mistakes made by America at the time, both military and political, but that really is not the point of the film. The authors have no political axe to grind. The film is simply the story of the American field commander, Lt Col Moore, his men, and their kinship as a unit. It is based on Moore's own book, "We Were Soldiers Once, and Young", which he co-wrote with a reporter who was also present at the battle. The two men also appear as characters in the film. Moore and the reporter are played by Mel Gibson and Barry Pepper, respectively. I don't think I can improve on Moore's heartfelt eloquence. The following is excerpted from his prologue, with minor editing.
The two authors also interviewed hundreds of others who were involved in the story, including the key military personnel from North Vietnam, in order to show all sides of the story as accurately as possible. The critical round-up on this film was quite astounding to me. While critics in general praised it, the average British critic awarded it one star. The very best review in Britain was 3/5 from BBC. Nobody else in the Guardian's round-up rated it higher than 4/10. To be sure, there are some elements of this film I wonder about. Because the two guys who wrote the story are portrayed as characters, I wonder if they are quite as heroic and decent as they portray themselves. I wonder if their account of the story is not a bit self-serving, and sometimes it lathers it on pretty darned thick. But, be that as it may, the film confers honor on those who did what they had to do honorably, and it does so effectively and cinematically. It is an excellent movie, deeply moving, yet both profound and fair. In the last analysis, it is about a bunch of men who bonded together when performing an impossible task that they were ordered to do. There is something greater and deeper about their team than the teams we play on, because they played for bigger stakes and when they lost, they lost everything. |
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The most important line in the film: "In the end, they did not fight for God.....country.....right. They fought for each other". The best line in the film comes from Sam Elliott as the battalion's sergeant major. Lt. Col Moore's unit was the First Battalion of the 7th Cavalry, the very unit which had already suffered the most complete battlefield humiliation in American military history, Custer's defeat at Little Big Horn. Colonel Moore says at one dark point in the battle that he really doesn't want to learn how Custer felt when he realized he'd moved his men into slaughter. The Sergeant Major answers laconically, "Big difference, sir. Custer was a pussy. You ain't." |
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